Long-time users of Ableton in a live context haven’t been left out either. Those that like it a bit random will welcome the new built-in randomisation and chance features, as well as the Inspired by Nature series and Spectral devices. For expressive players, MPE has arrived with a solid implementation that makes it easy to visualise and edit parameters. For edit hounds, to go with comping, there’s also linked editing and a scale highlighting option for note editing. However, it seems that Ableton has made sure to throw in at least one compelling feature for every taste. I’ll readily concede that what makes the upgrade worth it for me (ahem, comping) might be a waste of time, and therefore money, to you. Right off the bat, Ableton Live 11 is worth it for me. Could you really be bothered upgrading if it’s going to mean any deviation from your normal routine? There’s the price associated with the risk of adopting new software too early. There’s the actual price, you know, the money thing.
Any ‘whole number’ DAW release comes with a price.
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